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TICKETS ON SALE NOW:
Sat Oct 20, 2018
TAUK – Live at Club Dada
All Ages ⎮ Tickets $15
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Banjos To Beats presents:
+ Late Night Radio
Live at Deep Ellum Art Company
Fri Oct 19, 2018
Doors 9PM | Show 10PM
TICKETS ON SALE NOW:
Deep Ellum Art Company Presents:
[ music venue | art gallery | backyard |bar ]
Natural High Tour
October 17, 2018
TreeHouse! w/ special guests,
Bubba Love & Audic Empire
Local Support by:
Tickets on Sale Now!
$7 ADV / $10 DOS
WEDNESDAY HAPPY HOUR:
1/2 off Specialty Cocktails on Draft
(Myrtle Beach, SC)
[ reggae | jam | rock ]
For nearly seven years, the guys from TreeHouse! have spent the majority of their days as road warriors blazing sprawls of highway and at night playing an unapologetic enthusiastic blend of reggae jam rock they are know for in venues across the nation.
TreeHouse! songs resonate in your soul. With lyrics filled with rising above adversity, gratitude, and unity. For every setback, there’s a step up waiting for you if you keep your focus. For every day, there’s a blessing to count and for every event, we must recognize we are a part of it all. It’s this kind of message that makes the most recent studio album, Lifted, their strongest release to date.
Bubba Love Music
[ singer/songwriter | reggae ]
This razzle dazzle, down to earth man, is magical whether it’s the smiles his ukulele is inspiring or the dreams being birthed in the minds of his listeners, when the tones of his voice reach beyond your ears and into your heart. You can’t help but to listen to his songs with their deep message and feel a stir in your existence. With a warmth of hope, life, and laughter his chords, melodies, and soul will warm your heart and bring life into your step.
[ roots | rock | reggae ]
Roots Rock Reggae band from Arlington Texas! Bringing those smooth harmonies, heart-stoppin bass, that dub stylee and wailing guitar riffs to melt your face off! Guaranteed to make you shake it!
[ reggae | rock | feel good ]
Audic Empire was formed in late 2010. Since then they have been turning heads in the Austin music scene with their psychedelic, Reggae/rock and feel good tunes. They have a high intensity performance and an astonishing sound with the contrast of two singers, their Red Hot solo Guitarist, and rock solid rhythm section. Audic Empire has played with numerous great artists and festivals.
Too Many Zooz: “Pug in a Tub” US Tour – Fall 2018
At the 2016 CMA Awards one sound burst from the stage like a thunderquake. As Beyoncé performed “Daddy Lessons” accompanied by Dixie Chicks and Too Many Zooz — the New York City trio which originally recorded the song on the star’s Lemonade album — TMZ brought the sound of the street to Beyoncé’s glittering musical declaration. Glued to their smart phones, tablets, and TVs, America beheld Too Many Zooz’ innovative polyglot style.
Beyoncé and Dixie Chicks sashayed the song’s verses in a rollicking country vibe, but as the performance neared midpoint, a tall, burly baritone saxophonist with a luminous white pompadour took the stage like a bar-walking gladiator. TMZ’s Leo P danced, shimmied, and shaked, matching Beyoncé move for move, while blowing growling saxophone notes that infused urban funk to “Daddy Lessons”‘ two-beat country jig. TMZ trumpeter Matt Doe and drummer King of Sludge performed on the stage’s backline as a blaring brass line raised “Daddy Lessons”‘ intensity, followed by Beyoncé and Dixie Chicks slamming song’s political theme home.
Too Many Zooz’s saxophonist Pellegrino, trumpeter Matt Doe, and drummer King of Sludge held Nashville’s Bridgestone Arena stage for mere minutes, but the same talent that moved Beyoncé to have the group record both “Daddy Lessons” and “Formation” on Lemonade has seen TMZ sell thousands of CDs and downloads, and inspired viral videos.
Too Many Zooz’s manic music, dubbed “BrassHouse” by drummer King of Sludge, is an irresistible rocket that combines styles more diverse and far-flung than any international space station. As heard on the group’s EPs — F NOTE, Fanimals, Brasshouse Volume 1: Survival of the Flyest, The Internet, and the LP, Subway Gawdz — Too Many Zooz creates a visceral smack-to-the-senses. TMZ’s BrassHouse summons EDM, house, techno, and glitch, paired to the indigenous punch of Cuban, Afro-Cuban, Caribbean, and Brazilian Carnival rhythms. TMZ’s music is further heightened by the dancing and saxophone soloing prowess of Pellegrino, virtually a bionic Pepper Adams. Like Nortec Collective mashed with Daft Punk by way of a mad sonic scientist, Too Many Zooz has conquered New York City — your headset’s resistance is futile.
“We pride ourselves that nearly every person of every color, creed and background and upbringing can find something in our music to relate to,” Matt Doe says. “Someone from Cuba can say ‘I hear Cuban music in the cowbells.’ Someone into death metal will enjoy it next to a grandmother who hears it as old swing music. Others hear Klezmer. Whatever people want to hear in our music they can seemingly find it.”
Many New Yorkers discovered Too Many Zooz at the Union Square subway station, where the trio began busking in 2014. After one of TMZ’s videos went viral on Reddit, creating almost a million fans, sales of the band’s digital downloads and CD sales skyrocketed.
If TMZ’s music wasn’t already electrifying, Leo Pellegrino’s dance moves, which spin like a Zoot-suit wearing swinger, add visual thrills to the band’s musical mastery. A classically trained musician, Pellegrino began dancing as both expression and rebellion. What Beyoncé loved is now available to all.
“Horn players, especially baritone saxophone players, look so lame on stage!” Pellegrino notes. “I just watched an NBA half-time show and this band’s horn players were killing my eyes. I wondered ‘why does the horn have to be such a lame instrument visually?’ I began dancing in the subway and people loved it. I realized that I had been brainwashed, all my teachers telling me not to move. I’d been told that was improper technique, but that became my key to success.”
Too Many Zooz’s songs are marvels of simplicity born of musical complexity. Pellegrino, Doe, and King of Sludge condense multiple — what might be considered clashing styles — into a riveting jackhammer brew. King of Sludge’s staccato eighth-note rhythms performed on a unique bass drum/cowbell/jamblock/cymbal setup forms the music’s gritty rhythmic bed. Matt Doe’s trumpet provides melody and harmony, while Leo Pelligrino’s saxophone follows rhythm directions and solo revelry.
“I don’t like using standardized terms when describing our music,” Matt explains. “We’re all doing things that are out of the ordinary. I provide the synth sound you would hear in a dance track. Leo plays saxophone but he’s also providing the bass sound you would hear in electronic music. When Leo solos, it’s like a breakdown when the bass is the featured element of the band. I don’t solo per se, but I am playing nearly the entire show. It doesn’t make sense for me to play more!”
TMZ’s seeds were formed when Indiana native King of Sludge, and Boston-born Pellegrino played in subway busking band, Drumadics. Fellow Manhattan School of Music classmate and Pittsburgh native Doe played in various ensembles with Pellegrino, the threesome eventually busking together by chance — their chemistry sparking an instant bond.
“From the start, we were all bouncing off each other, listening to each other and not thinking too much,” Doe says.
TMZ have collaborated with Galatic, Kreayshawn, Jerry “Wonda” Duplessis, and, of course, Beyoncé.
“Knowing that Beyoncé enjoys our music on her own time?” ponders King of Sludge. “That’s a great thing.”
What’s next for TMZ? The trio’s upcoming EP will feature a rawer sound, the group returning to their original roots, and most likely, their original 14th Street subway station.
“When we began, it was just trumpet, saxophone and drums,” Leo says. “Our first EP was pretty straight up, then we added production and guests and vocalists on Subway Gawdz. This next EP is back to our roots.”
Does TMZ recommend the subway path to stardom?
“The subway, then videos and Beyoncé helped propel our popularity,” Matt says. “The subway is a great promotional vehicle. There’s nowhere else that you can reach such a wide demographic. If you want to get out and be seen and up your numbers, go to the subway. That’s always part of our business plan.”
DFW Deadheads, come join us for a “special” Sunday afternoon show at Lee Harvey’s on October 21, 2018 from 3:00 pm – 7:00 pm. There’s much to celebrate, and we need your good vibes there to be a part of it!
Soft-spoken by nature, south Florida-bred Roosevelt Collier does his hollering on the sacred steel guitar. Brought up in the tradition of the House of God Church, Roosevelt built his reputation alongside his uncles and cousins in The Lee Boys, known for their spirited, soul-shaking live performances. Seated front and center, “The Dr.” leaves an indelible mark on listeners, flooring audiences with his lightning-fast slide work on the pedal steel. At festivals, he is a regular “Artist at Large,” performing alongside many of music’s most prestigious acts, from the Allman Brothers, to the Funky Meters, to Los Lobos to the Del McCoury Band. Whether on tour with the Lee Boys, bouncing from stage to stage at festivals, or hosting an allstar get down in Miami, when Roosevelt takes the stage, the ear-to-ear grins can’t help but be contagious.
Galactic Live at Granada Theater Keep the Vibe Alive with the *official* after-party featuring The One Man Phunk Band – Music until 2am.
Henry + The Invisibles (Henry Roland) is a live-looping, multi-instrumentalist aka “The One Man Funk Band” that loops and layers vocal harmonies, funk guitar, grooving bass, soulful keyboards and powerful percussion to create original high energy dance music that sounds like a solid 5 piece funk ensemble!
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