– EventsTime2Fly Music

Fri Mar 06 2026 Dan Kelly (Fortunate Youth) & Cas Haley Fri Mar 06 atSundown at Granada Dallas, TX

Tickets

Anthem Tour with Dan Kelly from Fortunate Youth w/ special guests Cas Haley Kevin Kinsella John Matthew Landry Ike Kanakanui Travis Walpole

Live in Dallas on lower Greenville Ave at Sundown at Granada. Doors 830p | Show 9p

Sat Mar 14 2026 St. Patricks Day Parade Rooftop After Party feat. 57 Sauce, Sing Kumba, & Burning Slow *FREE* Sat Mar 14 atSundown at Granada Dallas, TX

The annual St. Patricks Day Parade Rooftop After Party with FREE live music at Sundown at Granada feat. 57 Sauce, Sing Kumba, & Burning Slow.

Music 12pm – 7pm. No cover. 21+

Sun Mar 15 2026 Twenty Hounds *FREE Show* Sun Mar 15 atTolbert's Restaurant & Chili Parlor Grapevine, TX

Twenty Hounds celebrates the music of Grateful Dead Sunday March 15th at Tolbert’s in Grapevine.

FREE show 230pm – 530pm. Two sets!

Sun Mar 15 2026 Shakedown Sundays - Natalie Brooke Sun Mar 15 atTwo Moons Music Hall Denver, Colorado

Tickets

Time2Fly Music Presents – Natalie Brooke at Two Moons Music Hall for Shakedown Sunday on March 15th.

Doors 1
Music 2-5pm
Tickets – $10 presale

Natalie Brooke is a rock star. A virtuoso funk / rock keys player leading her powerhouse 4-piece band from the Baltimore area. The explosive act is fronted by Natalie on keys, synth, keytar, and vocals and backed by drummer Nathan Shulkin, Nester on the bass, and Luke Walker on the guitar.

She kicks off every show with a punch and never lets the energy drop – audiences move, dance, scream, jump, and ride the wild wave of the set with her and the band. Natalie’s music was once said to be a mashup of Rick James and Rush. She has an undeniably infectious vibe featuring a fiery blend of fast tempos and sloshy rock elements balanced with her transcendent jazz and classical roots. Natalie brings an exceptionally unique approach to the keyboard that is equally percussive and melodic that lights up the show with every electrifying note she plays. She is on a meteoric rise, frequently sharing the stage with pillars of the rock, funk, and jazz scenes. Pigeons Playing Ping Pong, Andy Frasco & the UN, Big Something, Cris Jacobs, Doom Flamingo, Sunsquabi, lespecial, and the Magic Beans are a few of the artists Natalie has played with recently.

Natalie’s artistry thrives in the space between vulnerability and fire. With her new full-length album, Measured in Moments, arriving October 10, 2025 the Maryland-based pianist, vocalist, and bandleader reveals her most fearless work yet. A bold, expansive statement that charts her path from quiet, ear-trained prodigy to commanding frontwoman, composer, and collaborator.

The album’s opening singles offer two distinct windows into her evolving sound. “Sometimes” featuring Cris Jacobs, released September 9, 2025 is a groove-forward meditation on life’s dualities. Led by her soulful vocals and anchored by the lyric: “sometimes change is what I am, sometimes I’m better off running.” The track builds in intensity, slipping into a jazz-soaked breakdown before she unleashes a fiery organ solo. Baltimore rock luminary Cris Jacobs answers with a spellbinding improvisation of his own, pushing the song into uncharted terrain.

“Hands” takes a decidedly different route. An urgent jazz-fusion composition that rides a staccato motif into a soaring chorus that is both sultry and celebratory, the track embodies Natalie’s invitation to the dance floor, complete with tension-building bridges and moments of release that capture her instinct for drama and motion.

For Natalie, these tracks are snapshots of a larger journey. “Pretty much always been piano,” she recalls. “I started when I was five, and just was always in lessons. I did quit lessons in middle school, which is when I picked up really learning by ear, which I think is where a lot of the creativity really started happening.” The shift from the page and toward instinct proved to be the vital catalyst cementing the foundation of her artistry.

Her evolution hasn’t been linear. Classical training gave way to a “brutal learning curve” in jazz, years of attending metal shows fed into her love of grit and volume, and eventually vocals entered the frame. “Vocals were a completely different approach. I was actually very quiet my whole life… singing has actually been a really big challenge. I finally, secretly, started going to voice lessons and not telling anybody when I was 25,” she says. What began as therapy — “being okay with being loud and being heard” — has transformed into a defining strength.

When she first stepped into the role of bandleader, six months before the pandemic, Brooke was hesitant. The forced pause became a turning point. “When I first started my band, I was still a little shy being the front woman. Then during covid was when I decided that I can get back out there, I’m gonna not hold back. I’m gonna rip it up.” That commitment shows up not just in her stage presence—often wielding a keytar bought on impulse (“I wish I had a better story… I just bought the keytar”)—but in the way she runs her band. “I really like grit, and I really like when people like to be pushed and when they like to also push me… we always want to be hurtling forward, creating something new, and not getting stagnant.”

Her debut solo EP, Wicked and Wonderful (2024), hinted at this alchemy of sounds, combining instrumentals, piano-driven experiments, and genre-bending curiosity. The forthcoming album pushes further, weaving fusion, funk, and rock energy with moments of intimate storytelling. On stage, Brooke favors high energy, while in the studio she leans into narrative and nuance. “I like to go into the studio to really tell a story and honestly get things out that I can’t get out live,” she admits. The result is a body of work that honors both sides of her identity: the explosive live performer and the reflective songwriter.

Ultimately, Natalie Brooke’s story is one of reinvention, perfecting the art of learning to be heard, to lead, and to trust the creative tension that comes with pushing boundaries. The release of Measured In Moments captures that arc in full, cementing her place as one of the most compelling new voices in modern jazz-fusion and beyond.

Sat Mar 21 2026 South of Dead *Tribute to Grateful Dead, Allman Bros, Widespread Panic, & Tedeschi Trucks* FREE entry Sat Mar 21 atCactus Jack's Saloon & Grill Evergreen, Colorado

Time2Fly Music Presents – South of Dead celebrating the music of the Allman Brothers, Grateful Dead, Widespread Panic and Tedeschi Trucks Band! The band will consist of Zac Riedel, Alyssa Medina, James Dumm, Jessica Halloway, Rodney “Gator” Watson, Shaun Gilmour.

All Ages
Music 3-6
Free Show

Sun Mar 22 2026 Young & Dead *Grateful Dead Tribute* $12 cover Sun Mar 22 at

Time2Fly Music Presents – Young & Dead for Shakedown Sunday at Two Moons Music Hall on March 22nd!

Music 2-5pm. $12 cover. An Energetic and Refreshing Celebration of the Grateful Dead

Sun Mar 29 2026 Shakedown Sundays - Drums & Space *$10 cover* Sun Mar 29 atTwo Moons Music Hall Denver, Colorado

Time2Fly Music Presents – Drums & Space at Two Moons Music Hall for Shakedown Sunday on March 29th.

Doors 1
Music 2-5pm
Cover – $10

n 1978, the Grateful Dead introduced the Drums segment to the second set of their concerts: Tribal, rhythmic, booming. The Space segment soon teamed up with Drums: Haunting, mystical, weird. And this duo would become the clearest channel for manifestation of the band’s fabled ex-chemistry. Drums often represented the Indian tabla players, where Space reflected modern electronics and spacey sounds of the day. Drums and Space offered a vehicle to take both thematic and improvisational noise to places other rock and roll bands deemed forbidden.

Forty three years later, a group of Denver-area musicians began exploring the Drums and Space phenomenon, leveraging new ways to reintroduce Drums and Space to the Denver music scene. The band Drums and Space, or DNS, was born. The group takes great care in honoring the traditions of Grateful Dead music, while showcasing a contemporary take on the Drums and Space segment at their live shows. Each DNS concert begins with a version of Drums and Space, followed by songs carefully chosen from the Dead’s vast catalog of music. In the spirit of the Dead’s relentless quest to play music by other artists, DNS created 1SC, or First Set Closer. The last song of the first set at a DNS concert features an artist other than the Grateful Dead. From original songs from DNS musicians to classical compositions like Also Sprach Zarathustra, anything goes in the 1SC slot.

DNS would be nowhere without their audience. And the band goes to great lengths to get their audience involved at their shows. From free beach balls to fan participation on stage, members of the band know that their voyage to the stars would never get off the ground without their fans.

Thu Apr 02 2026 Leftover Salmon Thu Apr 02 atGranada Theater Dallas, TX

Tickets

Few bands stick around for thirty years. Even fewer bands leave a legacy during that time that marks them as a truly special, once-in-lifetime type band. And no band has done all that and had as much fun as Leftover Salmon.
Since their earliest days as a forward thinking, progressive bluegrass band who had the guts to add drums to the mix and who was unafraid to stir in any number of highly combustible styles into their ever evolving sound, to their role as a pioneer of the modern jamband scene, to their current status as elder-statesmen of the scene who cast a huge influential shadow over every festival they play, Leftover Salmon has been a crucial link in keeping alive the traditional music of the past while at the same time pushing that sound forward with their own weirdly, unique
style.
The band now features a lineup that has been together longer than any other in Salmon history and is one of the strongest the legendary band has ever assembled. Built around the core of
founding members Drew Emmitt and Vince Herman, the band is now powered by banjo-wiz Andy Thorn and driven by the steady rhythm section of bassist Greg Garrison, drummer Alwyn
Robinson, and dobro player & keyboardist Jay Starling.
The current lineup is continuing the long, storied history of Salmon which found them first emerging from the progressive bluegrass world and coming of age as one the original jam
bands, before rising to become architects of what has become known as Jamgrass and helping to create a landscape where bands schooled in the traditional rules of bluegrass can break free
of those bonds through nontraditional instrumentation and an innate ability to push songs in new psychedelic directions live.

Come see Leftover Salmon live in Dallas 4/2/26 at Granada Theater!

Sat Apr 18 2026 HeartByrne *Talking Heads Tribute* Sat Apr 18 atGranada Theater Dallas, TX

Tickets

HeartByrne returns to Dallas this Spring on 4/18/26. Come celebrate the music of Talking Heads plus Mike Kervin’s 50th Birthday!

Tickets available now – https://www.prekindle.com/promo/id/-2852852648495414047

Doors 7pm | Show 8pm. Two full sets!

Wed Apr 22 2026 Foggy Memory Boys (Bluegrass) + Twenty Hounds (Grateful Dead) Wed Apr 22 atDeep Ellum Art Company Dallas, Texas

Tickets

New Mexico Bluegrass act ‘Foggy Memory Boys’ debut show in Dallas, Tx with DFW area Grateful Dead Tribute ‘Twenty Hounds’ Wed April 22nd at Deep Ellum Art Company.

Doors 7pm
20 Hds 730pm
Foggy Memory Boys 915pm

$10 adv / $15 dos
app.opendate.io/e/twenty-hounds-april-22-2026-654799

“Drawing from a deep well of musical experience the Boys have a unique string band perspective contorting the music into a New Mexican Wild-grass like nothing else on the scene… Structured around strong lyrical content, powerful melodies, and a musical bond that only a band of true brothers can create.

With a fresh rip -snortin’ approach to strong melodically driven songs, a playful energy, smooth singing harmonies, and an infectious stage presence. Southwest Psychedelia was born in the sage and sandstone of the Sangre De Cristo Mountains.

The boys have been pushing their way to the forefront of the New Mexico music scene.Formed on the legendary stage 5 at the prestigious Walnut Valley Bluegrass Festival, they blur the lines between traditional bluegrass roots music and more contemporary styles.”

https://foggymemoryboys.com/

Sun May 03 2026 Dead Panic *$10 cover* Sun May 03 atTwo Moons Music Hall Denver, Colorado

DEAD PANIC makes their first appearance at Two Moons Music Hall for an afternoon of Sunday fun with live Widespread Panic and Grateful Dead tunes from 2:00 – 5:00 PM. $10 General Admission.

Dead Panic cooks up the improvisational sounds of The Grateful Dead with the southern-fried grit of Widespread Panic. Driving exploratory jams, Dead Panic captures the essence of these two legendary bands, delivering high energy fun for every show.

– Chris Anderson (Guitar & Vocals)
– Mark Vossler (Guitar & Vocals)
– Tom Henriques (Keys & Vocals)
– Dave Weisbart (Bass & Vocals)
– Steve Fox (Drums)

Wed May 06 2026 John Butler Wed May 06 atGranada Theater Dallas, TX

Tickets

Following the triumphant release of his latest album PRISM, musical revolutionary John Butler is returning to the US and Canada with his band for a spring tour of epic proportions. Forming a ferocious new band including original JBT drummer Michael Barker, Ian Peres on bass/keys and Michael Boase on percussion, these shows promise to be packed with the classics, groove-laden jams and Butler’s signature instrumental flourishes – a full two hours plus of sheer John Butler band power. Butler and his band will do what they do best, taking the audience through alt-rock explosions, heartfelt ballads and anthemic pop choruses, building on John’s legacy as one of the most revered live acts of his generation.

A master of his instruments and openhearted lyrical reflections, Butler has amassed a deeply devoted fan base, who cross the world to see him play. An activist and environmental warrior it is Butler’s grasp of melody and soul that have commanded attention for more than 20 years, superseding even the big hits such as ‘Zebra’ and ‘Better Than’, resulting in a swag of platinum records. His instrumental opus ‘Ocean’, a fan favourite, has gone viral countless times across the past decade due to the sheer talent and execution that John is known for.

Catch him Live in Dallas at Granada Theater May 6th!

Sun Jul 26 2026 High Fade Sun Jul 26 atGranada Theater Dallas, TX

Tickets

High energy Funk/Rock trio from Edinburgh, Scotland back in Dallas at Granada Theater July 16th!

What an amazing show they put on. Grab your tickets today!

Sat Oct 17 2026 Snarky Puppy Sat Oct 17 atGranada Theater Dallas, TX

Tickets

Snarky Puppy Live at Granada Theater in Dallas, Tx Oct 17th!

Snarky Puppy, the five times Grammy® winning collective, “has always been a band that prioritizes the sound of the music,” says bandleader and bassist Michael League. Displaying a wide array of influences including funk, rhythm & blues, hard rock, classic soul, modern gospel, new tech, fusion and jazz, Snarky Puppy isn’t exactly a jazz band, it’s not a fusion band and it’s definitely not a jam band. It’s probably best to take Nate Chinen of the New York Times’ advice, as stated in an online discussion about the group, to “take them for what they are, rather than judge them for what they’re not.”
“Our soundscape has expanded dramatically over the years” says League. “When the band started, we were jazzier, brainy and music oriented. Moving into the Dallas scene we became groovier, more emotional, deeper in a sense. We focused more on communicating a clear message, understandable to a listener without dumbing things down”.
In January 2025 the band collaborated once more with the Metropole Orkest– the Netherlands-based hybrid ensemble renowned for fusing jazz, classical, and popular music on a symphonic scale. Captured live over three nights (January 17–19, 2025) in Utrecht, the project reunites the two groups a decade after their first joint effort, Sylva — an orchestral suite released in 2015 that earned the GRAMMY for Best Contemporary Instrumental Album the following year. The result of this collaboration – Somni – was released in November 2025 via GroundUP Music.